Welcome to
Piano Technique.org
Your best online piano technique resource base

… created and developed by Canadian pianist Alan Fraser

NEWS FLASH: The Alan Fraser Summer Piano Institute @ Smith College June 19-25 2011

There are still a few places available for the Alan Fraser Piano Institute @ Smith College in Massachusetts this June. An exceptional opportunity to work with a master of piano technique, 21st century style. Fraser welcomes musicians from any band of the pianistic spectrum, working equally well with performing professionals, university students, studio teachers and enthusiastic amateurs. Click on the above link for more information.

UP AND RUNNING:

Articles on Piano Technique

Antecedents of Piano Technique in the Harpsichord & Clavichord
• J. S. Bach's Clavier Technique
• Clavier Technique of Handel & Scarlatti
Gerig on Harpshichord Technique
Harold Shonberg on Bach
• Wanda Landowska Plays Mozart Sonatas
• The Amazing Wanda Landowska Story
• Thomas Mark: What Every Pianist Needs to Know About the Body
• Seymour Fink: Mastering Piano Technique

Michael Kurstner's Ultimate Explanation of the Lumbricals & Interosseous
• Magda Tagliaferro Interview (on Cortot)
• Samuel Fineberg
• The Russian School
• Annotated Bibliography: History of Piano Technique & Pedagogy
• Glenn Gould's Piano Technique

SOON TO COME:
Online Video Piano Lesson Open Archives

This site will soon offer a sample of Alan Fraser Tutorial Webinars and full-length lesson videos. First up will be lessons Fraser taught in Novi Sad, Serbia to two talented young pianists from the Art Academy of Novi Sad:

Maya Repic playing Debussy Preludes and the Mozart C major Sonata

Well-known internationally not only for her brief appearance in The Craft of Piano Playing Video Maya Repic has wowed audiences with scintillating recitals on several continents. This lesson covers in more detail some of the same principles she helped illustrate so well in Alan Fraser’s landmark DVD, The Craft of Piano Playing.

• Julia Bal plays her own transcriptions of guitar etudes by Hectore Villa Lobos

First prize winner at the IBLA Grand Prize Competition in Italy, Julia Bal has toured extensively in both the US and Europe. She is an accomplished composer as well as pianist: this unique lesson features her own transcriptions of Hector Villa-Lobos’s etudes for classical guitar.

Still later we plan soon to offer a subscription to a much more extensive teaching and performance video library that will include at least one new Alan Fraser tutorial webinar a month. For now we invite you to browse our articles listed above or visit the sites below for more on Alan Fraser's approach to piano technique.

• Read more on Alan Fraser’s Craft of Piano Method

• Visit Alan Fraser’s Online Store to browse a complete line of Craft of Piano products.

• Visit www.reviews.pianotechnique.org for a comparison table for many of the preeminent schools of piano technique on the world scene today.

 

 

 

 

 

 

 

This site (still under construction) aims to offer a comprehensive survey of approaches to piano technique from its inception to the present day. For the moment we offer background articles on the history and various aspects of piano technique. We will soon be adding
• lesson videos
featuring both Alan Fraser and other teachers, and
• performance videos
highlighting specific aspects of virtuoso piano technique.

The site is still in a process of development, with the large majority of articles still to be written. Each article must be fully researched, written and edited before it is put online. We welcome submissions and see this as a site that will always be in development, adding new insights to piano technique as they surface.

Alan Fraser writes:

Our allegiances


I created this site in the hopes that it would provide an alternative to the factions/camps approach to investigating piano technique. Of course it is normal to feel a special allegiance to the teachers and methods that nurtured one personally, but why must this process be exclusive? Why, if I was brought up in the Leschititsky tradition, must I vilify Tobias Matthay or Seymour Fink? Why must studying with Dorothy Taubmann set me, like a knight in shining armour defending his lady, against all the other approaches?

Inclusion vs. exclusion


This site aims to be inclusive, and is based on the idea that we are all aiming towards the same high goal, to play the piano really well, to make it speak, sigh, sing and recreate the plethora of colours that an orchestra produces. There are many roads to Rome, and although two truths may appear to be totally contradictory, this does not make either of them untrue. Each is true in a specific context, for a specific person who has a specific set of neuromotor patterns that guides him or her in playing. I think so many different schools developed because there are so many marked differences between the many people who play piano – any one single way is going to fall far short of defining this amazingly complex process!

Investigating the various approaches to piano technique partly necessitates evaluating the language used – trying to grasp what each is really saying, and perhaps in the end to approach some sort of standardization or equivalency between various schools so we can all communicate more effectively and amicably. Maybe we could finally understand and acknowledge the value of what each of us is saying! If we can evaluate the strengths and weaknesses of each school dispassionately, soberly, and clearly, we might come closer to a really comprehensive approach to piano technique.

Recent additions


Our most recent addition is my article on Glenn Gould's unique and perplexing solutions in the realm of piano technique, and a discussion of the hidden source of his physical problems. Also relatively new are Michael Kurstner’s fine explanation of the Lumbricals and Interosseous Muscles, whose right work is so crucial to a well-developed piano technique, the special listening experience of Wanda Landowska Playing Mozart Sonatas, and the detailed review of Thomas Mark’s book, What Every Pianist Needs to Know about the Body. We think you will also find of special interest the article on Antecedents of Piano Technique in the Harpsichord and Clavichord. Other articles already up and running are the Alfred Cortot (Magda Tagliaferro Interview) article, the Annotated Bibliography and the short article on myself and Craft of Piano.

Email notification


If you would like email notification when a new article comes online, please register/create account (make sure you check the subscription box) to be added to our mailing list. This list will remain in-house and we promise that absolutely no outside party will be privy to your contact information.

The planned site will eventually include the following sections:

- Piano Technique Teaching Videos
- Piano Technique Performance Videos

- A Historical Survey of Schools of Piano Technique
- A Comparative Look at Current Trends in Piano Technique
- Mp3 Downloads
- Piano Technique Forum
- Piano Technique Chat Room

Submissions

The Webmaster welcomes suggestions and especially contributions from those interested in helping make this site more comprehensive: we aim for it to be eventually a sort of mini-Wikipedia for piano technique. Each historical category will be the subject of a full-length article, and there will be a comparative table cataloguing and comparing the characteristics of each approach. If you would like to make a contribution, please email us at webmaster@pianotechnique.org .